济南国际摄影双年展第三届高校邀请展

“微芒成阳”亚太地区高校摄影邀请展

—黄河科技学院\上海视觉艺术学院

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人：杨赫

黄河科技学院

黄河科技学院艺体学部摄影专业成立于2004年，设有摄影和摄影摄像技术两个专业，在校生人数500余人。

摄影专业自建立以来始终致力于培养学生用影像的方式认识和分析事物的能力，培养学生运用摄影技术手段进行生产、创作和表达的能力，并依托教育平台、校企合作平台，在人才培养过程中推行理论与实践相结合，用真实的课题锻炼学生的能力。通过10多年的努力，黄河科技学院摄影专业的教学水平稳步增长，教学效果得到了明显提升。学生参与各类比赛获奖率较高，用人单位满意度也在逐年提高。

Huanghe S & T University

The Photography major of the Department of Art and Sports of Huanghe S & T University was established in 2004, with two majors: photography and photography and video technology. There are more than 500 students .

Since its establishment, photography has always been committed to cultivating students' understanding and the ability to analyze things with images, trains the student to use photography technology for the production, creation and expression ability, and relying on education platform, university-enterprise cooperation platform, the combination of theory and practice of talent training in the process of implementing, with the real subject to exercise the ability of students. Through more than 10 years of efforts, the teaching level of photography major in Huanghe S & T University has been steadily increased, and the teaching effect has been significantly improved. Students participate in all kinds of competitions to win a high rate of employer satisfaction is also increasing year by year.

王子予 Wang Ziyu

《我的窗前暗了又亮》

家庭生活中的不安与焦虑、友情和社会关系中的冲突与恐惧，总让我处于软弱的边缘游移，这些思绪在内心积压、波动、流淌，导致我始终处于一种紧绷的状态，并持续性不断的内耗，于是，我开始尝试去审视自我的本体境遇，并将其进行影像化的转化。

《My Window Is Dark and Bright》

Uneasiness and anxiety in family life, friendship and social relations of conflict and fear, always makes me moving on the verge of a weak, the backlog of thoughts in the heart, volatility, flowing, cause I'm always in a state of tense, and continuous constant internal friction, so I began to try to look at the ontology of self situation, and the image of the transformation.

图为《我的窗前暗了又亮》图片作品内容

王世豪 Wang Shihao

《打雷下雨往屋里跑就行》

年轻时总是向往远方，当经过生活的阅历，才明白其实的“远方”其实是故乡。我想回去，回我和母亲的共同故乡，我从来没有真正地观察它，倾听它，体会它。故乡很老，它存在于母亲的记忆深处，存在大地的荒芜深处，寂寂无名。故乡又很新，在我和母亲的生命里，它已经随着岁月和记忆的消弭，随风而逝。它或许并不好看，也没有诗意，但我想在还没有彻底“消失殆尽”前，回到那里。

这次的探索路程，关于“失去”和“寻找”，也关于“回望”和“守候”。它是我在成年之后第一次回望自我的起点，也帮助母亲在半生之际，回到那个“随风而逝” 的故乡。

作品未完成部分：我与母亲一起回到天水，母亲的故乡。进行作品的第二章创作，它是关于母亲的记忆，也是我想让母亲在有生之年再次回到那个熟悉又陌生的故乡。它随着时间的消磨殆尽、但我们依旧爱着…

《Running Indoors when it Thunders and Rains》

When I am young, I always look forward to the distance. When I have experienced life, I understand that the "distance" is actually my hometown. I wanted to go back, to the hometown I shared with my mother, which I had never really seen, heard, felt. Hometown is very old, it exists in the depths of the mother's memory, the existence of the earth's barren depths, silent silent nameless. Hometown is very new, in my life and my mother, it has been with the years and memories of the level, gone with the wind. It may not be pretty or poetic, but I want to go back there before it's completely "gone."

This journey of exploration is about "losing" and "searching", but also about "looking back" and "waiting". It was the starting point for me to look back at myself for the first time in my adult life. It also helped my mother return to the hometown that was "gone with the wind" half her life.

Unfinished part of the work: I went back to Tianshui with my mother, my mother's hometown. The second chapter of the work is about the memory of my mother, and I want my mother to return to the familiar and strange hometown again in her lifetime. It wears away with time, but we still love...

图为《打雷下雨往屋里跑就行》图片作品内容

上海视觉艺术学院

摄影专业是本校设立的第一批专业，经过15年的建设，尤其是近三年加大了专业教学模式探索的力度，教学成果有了可喜的收获。但是面对读图时代的到来，一方面摄影随着科技的进步正在改变人们的生活方式，另一方面人人会摄影的现象对摄影人才培养提出了更高的更细分的要求。专业坚持以应用性复合型人才培养为目标，教学模式上讲究从理论到实践，解决学生三个层次的能力：动手能力、市场对接能力、引领社会的创新能力。

Shanghai Institute of Visual Arts

The photography major of the School of New Media Art of Shanghai Institute of Visual Arts is the first batch of majors established by the school. After 15 years of construction, especially in the past three years, the exploration of professional teaching models has been increased, and the teaching results have been gratifying. But in the face of the era of reading pictures, on the one hand, with the advancement of technology, photography is changing people's way of life. The major adheres to the goal of cultivating applied compound talents, and the teaching mode pays attention to the three-level ability of students from theory to practice: hands-on ability, market connection ability, and innovation ability to lead the society.

矫健 Jiao Jian

《末梢》

植物的“末梢”向外伸展，并与别的“末梢”接近、接触、交错甚至纠缠，在那些交叉的临界区域形成了特殊的场域，它们之间的关系会随风、随形、随着我的观看方式而变换，它们构建的关系是临时的，随时生灭。如果幸运，在某个特殊时刻，它们会为你展现精微的共振，融合万物，触发内心的会意。

《The Tip》

The "endings" of the plant stretch outward and approach, contact, interlace and even entangle with other "endings", forming special fields in those intersecting critical areas, and the relationship between them will change with the wind, with the shape, with the way I look, and the relationship they construct is temporary, and it can be born and died at any time. If you are lucky, at a special moment, they will show you subtle resonances, fuse all things, and trigger your inner will.

陆洁 Lu Jie

《年华逝去》

我把这些4*5的底片在暗袋里打开，胶片因接触光棒而曝光呈现出多样化的色彩。这些胶片未经过照相机的镜头直接进行曝光，在或长或短的十几秒中，光与胶片乳剂的亲密接触，好像一场偶遇又似一场冲突，留下了时间的痕迹。

在“十分钟年华老去”这系列影片中，导演们用不同的影片诠释了永恒的“时间”话题，就好像我们总是尝试使用胶片来凝固的时间，但它还是会不停地奔流而去。

《Years Passed》

I opened these 4*5 negatives in a dark bag, and the film was exposed in a variety of colors due to contact with the light rod. These films are not directly exposed through the lens of the camera, and in the long or short dozen seconds, the light and the film emulsion are in close contact, as if a chance encounter and a conflict, leaving a trace of time.

In the "Ten Minutes of Aging" series, the directors interpret the eternal topic of "time" with different films, as if we always try to use film to freeze time, but it will still run away.

楼雨静 Lou Yujing

《样地》

我们见证了一个大型主题公园、森林、湖泊和河流被最初影响它的城市结构类型人为地保护起来的时代，自然在人造景观盛行的当下营造出一种戏剧奇观似的景观体验。作品名为《样地（plot）》，该词用于植被调查采样而限定地段范围这一概念。作品以手工灯光装置介入，作为景观体验的具像化表现。通过图像引起人们对地方特征、人类态度的感知和注意。基于观众对于图片中刻意营造的现象的反应，以思辨的方式与观众探讨人造景观的意义。

《Plot》

We have witnessed an era when large theme parks, forests, lakes and rivers were artificially protected by the types of urban structures that originally influenced it, creating a theatrical spectacle-like landscape experience at a time when man-made landscapes prevailed. The title of the work is "plot", which is used for the concept of vegetation survey sampling and limiting the range of lots. The work is intervened with handmade lighting installations as a figurative expression of the landscape experience. Through images, people are perceived and noticed by local characteristics and human attitudes. based on the audience's reaction to the deliberately created phenomena in the pictures, the significance of the man-made landscape is discussed with the audience in a speculative way.

吴秋雨 Wu Qiuyu

《上海徐汇2021》

2021年我在上海拍摄这些小区的外部环境拍摄时，内心逐渐体会到了一种全新的、对中产阶级的理想家庭的渴望。我还以手工装帧方式制成了一本摄影书。随之而来，2022年的上海又再次将这些画面打破。

《Shanghai Xuhui 2021 》

When I photographed the exterior environment of these neighborhoods in Shanghai in 2021, I gradually experienced a new desire for an ideal family for the middle class. I also made a photography book by hand binding. Subsequently, Shanghai in 2022 broke these pictures again.

杨雅涵 Yang Yahan

《隐》

女性的美貌不仅仅是一个世俗的美学标准，更展现出几千年来潜藏在人们审美实践中的文化背景与社会心理。作品试图通过对面孔进行模仿，探讨人们对于美丽面孔的定义在各个时代和文化背景下呈现出不同的标准，让自己成为这些美学标准的受益者，从自身角度对社会审美进行思考。

《Hide 》

Women's beauty is not only a secular aesthetic standard, but also shows the cultural background and social psychology that have been hidden in people's aesthetic practice for thousands of years. The work attempts to imitate faces, explore people's definition of beautiful faces in different eras and cultural contexts, and make themselves the beneficiaries of these aesthetic standards, thinking about social aesthetics from their own perspective.

济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”

美国参展院校：旧金山艺术大学

澳大利亚参展院校：昆士兰艺术学院

日本参展院校：大阪艺术大学、东京造形大学、日本九州产业大学

韩国参展院校：中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院

土耳其参展院校：萨班哲大学、科克大学

新加坡参展院校：拉萨尔艺术学院、南洋理工大学

马来西亚参展院校：拉曼大学学院

泰国参展院校：兰实大学

印度尼西亚参展院校：印尼日惹艺术学院

中国台湾地区参展院校：明道大学

中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院

主办单位：中国济南国际摄影双年展组委会

指导单位：中国摄影家协会教育委员会、中国高等教育学会摄影专业委员会

承办单位：西安理工大学艺术与设计学院 、山东工艺美术学院

媒体支持：《中国摄影家》杂志、中国摄影网

艺术总监：曾毅

总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)

学术主持：姚璐

联合策展人

Agatha Bunanta(印度尼西亚)、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan(马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)

艺术委员会

鲍昆、百濑俊哉(日本)、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明

执行委员会

执行策展人：张一天、高帆

展场设计：吕梦星

微信推广：胡敏瑞、吕梦星、赵懿平

视频拍摄：王天俊、王登轩

英文翻译：张心睿、常永鑫

展览时间：2022年10月25日-11月20日

展览地点：山东工艺美术学院美术馆