济南国际摄影双年展第三届高校邀请展
“微芒成阳”亚太地区高校摄影邀请展
—西安理工大学
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持：姚璐
联合策展人：李小舟
西安理工大学
西安理工大学摄影专业依托西安理工大学综合类高校优势，以“艺工融合交叉”为教学方法，以“中华文脉贯通”为创新手段，培养具有艺术摄影、设计实践和综合影像创作基础与创新能力，具有较强历史责任感和人文关怀精神、德才兼备的高水平复合型人才。
2004年招生以来，成为“中国电影家协会数字媒体委员会理事单位”“陕西高校摄影学会摄影教育专业委员会主任单位”，获“全国八大摄影院校”“全国十佳摄影院系”等荣誉。承担国家级基金3项及数十项文化部科技创新等省部级科研项目。教师获得教育部颁发的指导教师一等奖2项、二等奖3项，以及索尼世界摄影银奖、德国红点奖等。指导学生获文化部、教育部等省部级以上奖励10项，平遥国际大展院校奖18个以及业内各大展览首奖60余项。在《文艺研究》《美术》《装饰》《中国摄影》等杂志发表论文50余篇，编写专著及教材8部。
作为主办单位与中国摄影家协会教育委员会、陕西省教育厅等共同举办“保持记录西安国际摄影邀请展 ”“陕西省首届大学生摄影大展”“中意高校摄影邀请展”“中日韩高校摄影邀请展”“亚太地区高校摄影邀请展”等8次大型学术活动。
Xi'an University of Technology
Relying on the advantages of comprehensive colleges and universities of Xi'an University of Technology, thephotography major of this school adopts the teaching method of "integration of art and industry" and the innovative means of "Chinese cultural continuity" to cultivate high-level compound talents with strong sense of historical responsibility, humanistic spirit and a combination of virtue and ability, who have the basic and innovative ability of artistic photography, design practice and comprehensive image creation.
Since the enrollment in 2004, it has become the " Director Unit of Digital Media Committee of China Film Association ", "Director Unit of Photography Education Committee of Shaanxi University Photography Society ", and has won the honors of "Top 8 Photography Colleges in China" and "Top 10 National Photography Departments". It has undertaken 3 national level funding projects and dozens of provincial and ministerial level scientific and technological innovation projects of the Ministry of Culture. Teachers have won 2 first prizes and 3 second prizes for instructors issued by the Ministry of Education, as well as the Sony World Photography Silver Award and the German Red Dot Award. Under the guidence, students have won 10 awards at the provincial and ministerial level or above from the Ministry of Culture and the Ministry of Education, 18 institutional awards from the Pingyao International Photography Festival as well as more than 60 first prizes from major exhibitions in this industry. Over 50 papers have been published in magazines such as "Literature & Art Studies", "Art Magazine", "Art & Design" and "Chinese Photography". 8 monographs and teaching materials have been written and compiled.
As the organizer, it has jointly held8 large-scale academic activities with the Education Committee of China Photographers Association and Education Department of Shaanxi Provincial Goverment, such as "Record Keeping – Invitation Exhibition of International Photography at Xi'an in 2017 ", "The First Shaanxi College Students Photography Exhibition", "China and Italy College Photography Invitational Exhibition", "China, Japan and Korea University Photography Invitational Exhibition".
张辉 Zhang Hui
西安理工大学艺术与设计学院副院长、教授，中国高等教育学会理事、摄影教育专业委员会副理事长；陕西省摄影家协会副秘书长。
曾获教育部颁发的指导教师一等奖2项，陕西省人民政府颁发的陕西省第十五届哲学社科二等奖，索尼世界摄影二等奖；中国高等教育学会摄影教育专业委员会颁发的“中国摄影教育优秀教学奖”及“中国摄影教育特殊贡献奖”等。
主持国家社科基金后期资助、国家艺术基金及文化部科技创新等10余项课题。
《逃离的日志》
图片中所拍摄的景物都是与我息息相关的生活细节，我的这些作品，主要是些个人生活体验的自我感受，照片中也力求用人物和物件反映个人平缓情绪之中的躁动之意。作品中，我不希望仅提供一种来自现实世界单纯的真实影像，它更多的是一种在生活背景中所抽离出来的一个日常片断，是一种真实与虚幻之间矛盾综合体的影像呈现。
我希望以一种逃离现实的眼光与态度强化自我生活中常态的事物，期望将典型置换为某种象征意义中，这样，使得画面中原有形象的固定意义在此时已显的不那么重要了。所谓的“日志”是希望用一种客观记录的形式表达一种主观生活的态度。也许在潜意识中，我总想“逃离”什么，但就如同我一位朋友说的那样：“你跑不掉的”。
《Log of Escape》
The scenes in the pictures are all life details that are closely related to me. These works of mine are mainly about the self feelings of personal life experience. In the pictures, people and objects are also used to reflect the restlessness in personal calm emotions. In the work, I do not want to provide a simple real image from the real world, but rather a daily fragment extracted from the life background, which is a kind of image presentation of the contradiction between reality and illusion. I hope to strengthen the normal things in my life with a vision and attitude that escape from reality, and I hope to replace the typical with a symbolic meaning, so that the fixed meaning of the original image in the picture is less important at this time. The so-called "log" is to express a subjective life attitude in the form of an objective record. Perhaps subconsciously, I always want to "escape" something, but as one of my friends said: "You can't escape".
（请以横屏观看）
李小舟 Li Xiaozhou
西安理工大学艺术与设计学院影像动画系主任，2004年毕业于西安美术学院版画系摄影专业获学士学位；2013年毕业于西安理工大学艺术与设计学院获硕士学位；2004年至今于西安理工大学艺术与设计学院影像动画系摄影专业任教。陕西摄影家协会会员；陕西高校摄影学会副秘书长；陕西高校摄影学会摄影专业教学委员会秘书长。作品多次在国内摄影节、美术馆展出。
《隐逸的白鹿》
白鹿塬是西安城东的一座黄土台塬，因陈忠实先生的小说而深入人心，如果去了解历史，其实这座古塬早已源远流长。从新石器时期的“华胥之渚”，到周平王时期的白鹿传说，到汉文帝的霸陵，到白居易的诗句“白鹿塬头信马行”，再延续到陈忠实先生的文学巨作，就可以明了这里的历史文化渊源。
对于城市而言，白鹿塬显而易见，结结实实的高出地面百余米，这种落差强调了上塬与下塬的形式感，也正因如此，使它没有很快的消失在城市化的进程中。今天的白鹿塬上，大多数地方还保持着农耕状态和村落生活，但是麦子、玉米的种植已经大幅度减少，被经济价值较高的樱桃、白皮松所取代，到了樱桃成熟季，前来采摘的游客络绎不绝。居住塬上的人们以传统的农耕方式世代生活在这里，笃信着这片土地的收获会使他们生活的更好。
长久以来，白鹿塬不动声色的遁藏在城市边缘，工业文明所带来的支棱密布的水泥森林已让很多人忘记了我们其实根植于农耕文化，而正是这座黄土塬随时唤醒着我们远古的记忆。一个雪后的傍晚，夕阳斑驳的投射在混杂着雪的麦地上，秦腔的声响悠远的飘散在沟谷里，村庄里的炊烟逐渐升腾，田地间新旧不一的坟冢静默的看着这一切周而复始的运转，这一刻，我相信那只隐逸在塬上的白鹿真的存在。
《Reclusive White Deer》
White Deer tableland is a loess tableland in the east of Xi'an, which has been deeply rooted in the hearts of the people because of Mr. Chen Zhongshi's novels.But if you look into the history, you will find that this ancient tableland has a long history. From the Neolithic period "Huaxu Islet", to the legend of the White Deer in the period of King Ping of Zhou, to the Ba mausoleum of Emperor Wen of Han, to the poem of Bai Juyi, "Horseback riding on the White Deer tableland ", and then to Mr. Chen Zhongshi's literary masterpiece, we can understand the historical and cultural origin of this place.
For the city, the White Deer tableland is easy to see. It is more than 100 meters higher than the ground. This drop emphasizes the sense of form of upper and lower tableland. Because of this, it did not disappear in the process of urbanization very quickly. On today's White Deer tableland, the farming state and village life are still maintained in most places, but the planting of wheat and corn has been greatly reduced and replaced by cherries and white pines with high economic value. In the harvest season of cherries, there is an endless stream of tourists coming to pick them. People living on the tableland have lived here for generations in the traditional farming way, believing that the harvest of this land will make their lives better.
For a long time, White Deer tableland has been quietly hidden at the edge of the city. The densely ribbed cement forest brought about by industrial civilization has made many people forget that we are actually rooted in farming culture, and it is this loess tableland that wakes up our ancient memories at any time. One evening after the snow, the sunset was dappled on the wheat field mixed with snow, the sound of Shaanxi Opera drifted far away in the valley. The smoke from cooking in the village gradually rose. The graves in the fields, old and new, looked at all the movements in silence. At this moment, I believed that the reclusive white deer on the tableland really existed.
（请以横屏观看）
彭敏 Peng Min
西安理工大学艺术与设计学院摄影专业教师，陕西高校摄影学会理事，西安市摄影家协会理事，陕西摄影家协会会员。入选第五届丝路影像博览会暨西安国际影像艺术节青年扶持基金项目。获第三届全国青年摄影大展“潜力摄影新人”；大理国际影会“最佳新锐摄影师提名奖”。入选第九届陕西省艺术节优秀美术书法摄影作品展；中国·青阳首届全国非物质文化遗产摄影大展；中国摄影展览馆开馆展；平遥国际摄影节个展等。
《光合作用》
光合作用是自然界中生物赖以生存的基础。城市中真树与假花交融，树木和草地被缠绕了密密麻麻的灯泡、灯珠、灯管等灯饰令人眼花缭乱，有些灯饰由于时间的原因，已经嵌入到树木体内。夜幕降临后，被点亮的树木和草地灯火通明如同白天一样，灯饰散发着热量，昼夜给树木增光，在灯光的入侵中植物们进行着无效的光合作用。
《Photosynthesis》
Photosynthesis is the basis for the survival of living things in nature. In the city, real trees blend with fake flowers. The trees and grasslands are wrapped with dense lamps, beads, tubes and other lights, which are dazzling. Some lights have been embedded into trees due to time. After nightfall, the lighted trees and grasslands are as bright as in the daytime. The lights emit heat and brighten the trees day and night. In the invasion of light, plants are conducting ineffective photosynthesis.
王子旋Wang Zixuan
《春风缱绻，花依旧开》
入围第四届1839摄影奖
2022平遥国际摄影大展“院校优秀作品奖”
二十二年前，我出生在河北邢台的一个农村家庭。因为种种原因，在我九个月大时，便被寄养在石家庄市的姑姑家里生活。当我九岁时才知道这段身世，此后每年放假都会回到农村老家，与亲生父母生活一段时间。
每每提及这段往事时，大家虽然表面一笑而过，但是在彼此内心中都被一层灰尘覆盖着，谁都没有勇气擦去。这种错综复杂且难以表述的情感在两个家庭之间往复交错，拉扯着，缠绕着，交织着，时间的流逝更是情感复杂化的加速器。
直到有一天，我决定直面生养我的两个家庭，通过影像来正视这复杂的家庭关系。在这个过程中，我期待以一种含蓄而不直露的表达方式来追寻我与他们的情感，最终拨开云雾，迎接阳光。
《SpringBreeze is Tender，Flowers are Still Blooming》
Twenty two years ago, I was born in a rural family in Xingtai, Hebei Province. For various reasons, when I was nine months old, I was fostered at my aunt's home in Shijiazhuang. I didn't know this life experience until I was nine years old. Since then, I have returned to my hometown in the countryside every year for holidays to live with my biological parents for a period of time.
Whenever this past is mentioned, although we laugh on the surface, but in each other's hearts are covered with a layer of dust, and no one has the courage to wipe it away. This kind of intricate and indescribable emotion is intertwined, pulled, twisted, and interweaved between the two families. The passage of time is an accelerator of emotional complexity.
Until one day, I decided toconfront the two families who gave birth to me and face up to the complex family relationship through images. In this process, I look forward to pursuing my feelings with them in an implicit way of expression, so as to finally clear the clouds and welcome the sunshine.
（请以横屏观看）
刘熠璠 Liu Yifan
《时间距离》
国家卫健委2022年统计数据显示，全国65周岁及以上老年人口19064万人，占总人口的13.50%；老年人口规模庞大，老龄化加重。越来越多的子女因社会压力过大选择将老人送到养老院度过晚年。但由于养老院水平的参差不齐以及子女关心次数过少导致老人们在养老院的心态以及生活方式发生了变化，孤独和寂寞一直伴随着他们。我希望通过摄影的方式，把养老院老人们的日常生活状态展现给大众，以此渴望社会各界引起关注来关心和帮助去解决一些实际问题。
《Time Distance》
According tothe statistics of the National Health Commission in 2022, there are 190.64 million elderly people aged 65 and above, accounting for 13.50% of the total population. The size of the elderly population is huge and aging is getting worse. More and more children choose to send the elderly to nursing homes to spend their old age due to excessive social pressure. However, due to the uneven level of nursing homes and less care from their children, the mentality and lifestyle of the elderly in nursing homes have changed, and loneliness and loneliness have always accompanied them. Through photography, I hope to show the daily life of elderly people in nursing homes to the public, so that all sectors of the society can pay attention to them and help them solve some practical problems.
王佳旭 Wang Jiaxu
《BALL时代》
入围第三届1839摄影奖
2021平遥国际摄影大展“院校优秀作品奖”
2021丽水摄影节“新学院 新影像”特别收藏奖
作品是使用三维建模渲染技术创作出的数字影像作品，其意图是以一种超现实和略带调侃的手段描述我们的城市生活。我们像一个个球体，被挤压、被推搡，但又不知疲倦的滚向前方，在这快速发展的乏味时代拥挤的度过每一天。
《The Age of BALL》
The work is a digital image work created by using 3D modeling and rendering technology. Its intention is to describe our urban life in a surreal and slightly teasing way. We are like spheres, squeezed and pushed, but tirelessly rolling forward, spending every day crowded in this tedious era of rapid development.
王瑞景 Wang Ruijing
《城中村》
2021平遥国际摄影大展“院校优秀作品奖”
随着我国城市高速发展的进程，越来越多的城中村消失在现代都市之中，作品试图用数字三维技术来还原、留存一个我们共同的城市记忆。
《Urban Village》
With the rapid development of cities in China, more and more villages in cities disappear in modern cities. The work attempts to restore and retain a common urban memory with digital 3D technology.
济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”
美国参展院校：旧金山艺术大学
澳大利亚参展院校：昆士兰艺术学院
日本参展院校：大阪艺术大学、东京造形大学、日本九州产业大学
韩国参展院校：中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院
土耳其参展院校：萨班哲大学、科克大学
新加坡参展院校：拉萨尔艺术学院、南洋理工大学
马来西亚参展院校：拉曼大学学院
泰国参展院校：兰实大学
印度尼西亚参展院校：印尼日惹艺术学院
中国台湾地区参展院校：明道大学
中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院
主办单位：中国济南国际摄影双年展组委会
指导单位：中国摄影家协会教育委员会、中国高等教育学会摄影专业委员会
承办单位：西安理工大学艺术与设计学院 、山东工艺美术学院
媒体支持：《中国摄影家》杂志、中国摄影网
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持：姚璐
联合策展人
Agatha Bunanta(印度尼西亚)、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan(马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)
艺术委员会
鲍昆、百濑俊哉(日本)、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明
执行委员会
执行策展人：张一天、高帆
展场设计：吕梦星
微信推广：胡敏瑞、吕梦星、赵懿平
视频拍摄：王天俊、王登轩
英文翻译：张心睿、常永鑫
展览时间：2022年10月25日-11月20日
展览地点：山东工艺美术学院美术馆
