济南国际摄影双年展第三届高校邀请展
“微芒成阳 ”亚太地区高校摄影邀请展
— 上海师范大学
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持：姚璐
联合策展人：戴菲
上海师范大学
上海师范大学影视传媒学院摄影专业始建于2005年，隶属于广告学系，是目前上海仅有摄影专业的两所公办高等院校之一，设有摄影方向硕士点。本专业依据上海师范大学的整体办学宗旨；满足上海及长三角地区的社会发展需要，服务国家和上海市的整体战略；兼具国际化视野，体现上海师范大学人材培养的前瞻性、引领性和优势性。
主要体现在本专业主要培养摄影影像方面的实践、创意和综合类人才。能够在党政国企、文化广告、影视传媒、创意互联网等企事业单位中担任摄影师、摄像师、后期技术员、采编播人员、影像创意企划、策展文案写作等方面的特长型工作者。本专业资深学科带头人为著名摄影理论家的林路教授和著名摄影家周明副教授，两位教授在国际及全国摄影界均享有很高的知名度。林路教授侧重摄影理论、摄影史、摄影文化研究；周明副教授侧重艺术实践培养、黑白摄影创作、黑白暗房工艺研究。为本专业的人才培养、学科建设、教育教学提供了坚实的基础。同时，由戴菲副教授、朱杰博士、卢照博士领衔的青年教学团队已经成为本专业的中坚力量，为本专业在新领域中提供全新的人才培养方向。
Shanghai Normal University
The Department of Photography of the School of Film and Television of Shanghai Normal University was established in 2005 and is affiliated to the Department of Advertising. It is currently one of the two public institutions of higher learning in Shanghai that only majors in photography, with a master's degree in photography.This major is based on the overall school-running mission of Shanghai Normal University; it satisfies the social development needs of Shanghai and the Yangtze River Delta region, and serves the country and Shanghai’s overall strategy; it has an international perspective and reflects the forward-looking, leading and leading talent training of Shanghai Normal University. Dominance.
It is mainly reflected in the cultivation of practical, creative and comprehensive talents in photography and imaging. Able to work as photographers, videographers, post-technicians, editing and broadcasting personnel, image creative planning, curatorial copywriting, etc. in enterprises and institutions such as party and government state-owned enterprises, cultural advertising, film and television media, and creative Internet. The senior academic leaders of this major are Professor Lin Lu, a well-known photography theorist, and Associate Professor Zhou Ming, a well-known photographer. Both professors are well-known in the international and national photography circles. Professor Lin Lu focuses on photography theory, photography history, and photography culture; Associate Professor Zhou Ming focuses on art practice training, black and white photography creation, and black and white darkroom technology research. It provides a solid foundation for talent training, discipline construction, education and teaching of this major. At the same time, the youth teaching team led by Associate Professor Dai Fei, Dr. Zhu Jie, and Dr. Lu Zhao has become the backbone of the profession, providing a new direction for talent training in new fields for this profession.
张舒凡 Zhang Shufan
《二元之城》
作品拍摄前期曾实地探查上海、山东、浙江等地的生态治理现状，利用无人机作为拍摄工具，以照片中间分割，一分为二的画面形式来呈现。通过全国多个地区的实地勘察，根据不同省市的工业类别不同，拍摄整理出了不同的环境污染问题，旨在通过作品《二元之城》，引起人们对生态治理的重视，为生物多样性及生态的可持续发展做出力所能及的贡献。
《The City of Duality》
In the early stage of shooting, the work explored the current situation of ecological governance in Shanghai, Shandong, Zhejiang and other places, using drones as a shooting tool, and presented in the form of a picture split in the middle and split in two. Through field surveys in many regions of the country, different environmental pollution problems have been photographed and sorted out according to different industrial categories in different provinces and cities, aiming to attract people's attention to ecological governance through the work "The City of Two Elements", and make contributions to biodiversity and sustainable ecological development.
靳哲 Jin Zhe
《我曾漫游整个宇宙》
我从小和阿公阿婆非常亲。随着我离开家乡读大学，我们相处的时间越来越短。今年陪阿婆出行时，我突然发现她的视力比我想象的糟糕，阿公阿婆都已经不再如我记忆中那般年轻了。“我曾漫游整个宇宙”是阿公的笔记本里抄写的一首歌谱的名字，音乐是阿公阿婆的青春里的重要部分。我通过老物件了解阿公阿婆年轻时的故事，试图用摄影唤醒两位老人身体里年轻的形态，我希望他们可以青春常驻。阿公阿婆曾漫游整个宇宙，以后可要一直陪伴我……
《I have roamed the whole universe》
I grew up very close to my grandparents. As I left my hometown for college, the time we spent together became shorter and shorter. When I accompanied Grandma on a trip this year, I suddenly found that her eyesight was worse than I thought. My grandparents are no longer as young as I remember. "I once roamed the whole universe" is the name of a song written in Grandpa's notebook, and music is an important part of Grandpa's and Grandma's youth. I learned about the stories of my grandparents when they were young through old objects, and tried to use photography to awaken the young shape of the two old people. I hope they can stay young forever. Grandpa and Grandma have roamed the whole universe, so you should always accompany me......
黄盼盼 Huang Panpan
《本我》
我见证了一段生命的陨落，我看过梦里的一切蹉跎……我所拍摄的《本我》作品出自于我的思维跳跃，重在表达自身的灵魂，将风筝比拟翅膀象征自由的向往，着重灵魂的生命力;抓住眼睛，冲出画面，着重思绪的内驱力；唇齿的碰撞，着重内心的冲动欲望；梦里的一切，又好像看到不一样的东西，着重人格的本能；思绪的背面，是黑与白的遐想……而我所想看到的就是能够激发人的本我，发现原始的冲动及内心世界。
《Self》
I have witnessed the fall of a period of life, and I have seen all the waste in my dreams... The work of "I" I shot comes from my thinking jump, focusing on expressing my own soul, comparing kites with wings to symbolize the yearning for freedom, and focusing on the vitality of the soul; Grasp the eyes, rush out of the picture, and focus on the internal drive of thoughts; The collision of lips and teeth focuses on the inner impulse desire; Everything in the dream seems to see something different, emphasizing the instinct of personality; On the back of my thoughts is the reverie of black and white... What I want to see is that I can stimulate people's id and discover the original impulse and inner world.
吴依伊 Wu Yiyi
《生长关系》
《生长关系》这组作品创作于庚子年疫情后，意于思考和寻找人与自然的紧密关系。在社会的改革变迁中人类改造自然环境，产生新的山山水水景观，人在自然中的创造痕迹也成了临时风景，有些是在历史进程中被遗弃的自然景象，有些是当下人们的审美所创造的人造景观，有些是在经年累月之中自然形成，人类将对新生活的憧憬和追求叠入环境，它们是自然秩序形成的结果，有着相互依存，又相互抵抗的关系，有亲近也有疏离，有荒诞也有突兀。
《Growth Relationship》
The group of works "Growing Relationship" was created after the epidemic in the year of Gengzi, which meant to think about and find the close relationship between man and nature. In the process of social reform and change, human beings have transformed the natural environment and created new landscapes of mountains, mountains and rivers. The traces of human creation in nature have also become temporary landscapes. Some are natural landscapes abandoned in the historical process, some are artificial landscapes created by current people's aesthetics, and some are naturally formed over the years. Human hopes and pursuits for a new life are superimposed into the environment. They are the result of the formation of natural order, There are interdependence, mutual resistance, closeness and alienation, absurdity and abruptness.
周文浙 Zhou Wenzhe
《由瓷开始》
《由瓷开始》这组作品是在我的家乡景德镇所拍摄的，陶瓷是景德镇的立市之本、称都之源。景德镇历史悠久、手工业单一，这在世界城市发展史中是绝无仅有的。这也说明陶瓷造就了今天的景德镇，没有陶瓷就没有景德镇的今天，郭沫若来到景德镇考察时，曾写下“中华向号瓷之国，瓷业高峰是此都”的名句，称颂景德镇瓷业是瓷国的高峰。
看到陶瓷，人们会想到景德镇；看到景德镇，人们会想到陶瓷。但是人们只看到了瓷器精美的外表，却没有看到师傅们背后的艰辛，人们惊艳于瓷器的完美，却不知道过程的精湛，人们感叹瓷器高昂的价格，却体会不到细分诸多工序而付出的汗水。
《Starting from Porcelain》
Starting from Porcelain was shot in my hometown Jingdezhen. Ceramics are the foundation of Jingdezhen and the source of Jingdezhen's name. Jingdezhen has a long history and a single handicraft industry, which is unique in the history of urban development in the world. This also shows that ceramics have created Jingdezhen today. Without ceramics, there would be no Jingdezhen today. When Guo Moruo came to Jingdezhen to investigate, he wrote the famous sentence "China is the country of porcelain, and the peak of porcelain industry is the capital", praising Jingdezhen's porcelain industry as the peak of the porcelain country.
Seeing ceramics, people will think of Jingdezhen; Seeing Jingdezhen, people will think of ceramics. However, people only saw the beautiful appearance of porcelain, but did not see the hardships behind the masters. People were amazed at the perfection of porcelain, but did not know the exquisite process. People exclaimed at the high price of porcelain, but did not realize the sweat paid for subdividing many processes.
胡浙棋 Hu Zheqi
《烟霞沉痼》
烟霞沉痼是源于中国古代《旧唐书·田游岩传》：“臣所谓泉石膏肓，烟霞痼疾，既逢圣代，幸得逍遥。”烟雾和云霞自古以来便是人们心中所憧憬的事物。在现当代的风光摄影中，社会现状或者环境影响给了摄影师许多思考和反思的空间，美好的事物和现实的环境形成了一种矛盾，就如同山水的多变与稳定。
《Deep-Rooted Love for Natural Charms》
Deep-Rooted Love for Natural Charmsoriginates from the ancient Chinese Book of the Old Tang Dynasty, Tian Youyan Biography: "The minister said that the springs and rocks are overgrown, and the chronic disease of Yanxia is that you are lucky to be free after meeting the saints." Smoke and clouds have been the things people yearn for since ancient times. In modern and contemporary landscape photography, the social status quo or environmental impact has given photographers a lot of space to think and reflect. Beautiful things form a contradiction with the real environment, just like the changeful and stable landscape.
济南国际摄影双年展第三届高校邀请展“微芒成阳-亚太地区高校摄影邀请展”
美国参展院校：旧金山艺术大学
澳大利亚参展院校：昆士兰艺术学院
日本参展院校：大阪艺术大学、东京造形大学、日本九州产业大学
韩国参展院校：中央大学、弘益大学、中部大学、大邱艺术大学、韩国放送艺术教育学院
土耳其参展院校：萨班哲大学、科克大学
新加坡参展院校：拉萨尔艺术学院、南洋理工大学
马来西亚参展院校：拉曼大学学院
泰国参展院校：兰实大学
印度尼西亚参展院校：印尼日惹艺术学院
中国台湾地区参展院校：明道大学
中国参展院校：北京印刷学院、湖北美术学院、黄河科技学院、鲁迅美术学院、南京艺术学院、清华大学美术学院、山东工艺美术学院、上海工程技术大学、上海美术学院、上海师范大学、上海视觉艺术学院、四川美术学院、天津美术学院、西安理工大学、西安美术学院、西安欧亚学院、浙江传媒学院、中国美术学院、中央美术学院
主办单位：中国济南国际摄影双年展组委会
指导单位：中国摄影家协会教育委员会、 中国高等教育学会摄影专业委员会
承办单位：西安理工大学艺术与设计学院 、山东工艺美术学院
媒体支持：《中国摄影家》杂志、中国摄影网
艺术总监：曾毅
总策展：张辉、黄荣华 (土耳其 )、柳银珪(韩国)
学术主持：姚璐
联合策展人
Agatha Bunanta (印度尼西亚 )、Ampannee Satoh(泰国)、Ang Song Nian(新加坡)、敖国兴、白晓丹、戴菲、邓岩、董钧、Eiffel Chong(马来西亚)、Erzan Adam(新加坡)、胡晓阳、吉川直哉(日本)、贾方、矫健、Lachlan Gardiner(澳大利亚)、Laleper Aytek(土耳其)、李小舟、林简娇、刘阳、Nadia Oh Sueh Peng(新加坡)、Oh Soon-Hwa(韩国)、Salleh Japar(新加坡)、沈洁、史民峰、Tan Tay Guan (马来西亚)、Ugrid Jomyin(泰国)、王培蓓、王帅、杨赫、姚璐、张朴、张省会、中里和人(日本)
艺术委员会
鲍昆、百濑俊哉(日本)、曹珽、顾铮、方肃、胡钢锋、李树峰、林路、计卫舸、宿志刚、王保国、王川、王传东、武小川、谢爱军、徐国武、阳丽君、张成义、张希红、钟建明
执行委员会
执行策展人：张一天、高帆
展场设计：吕梦星
微信推广：胡敏瑞、吕梦星、赵懿平
视频拍摄：王天俊、王登轩
英文翻译：张心睿、常永鑫
展览时间：2022年10月25日-11月20日
展览地点：山东工艺美术学院美术馆
