济南国际摄影双年展第三届高校邀请展
“微芒成阳 ”亚太地区高校摄影邀请展
—西安欧亚学院
艺术总监：曾毅
总策展：张辉、黄荣华(土耳其)、柳银珪(韩国)
学术主持：姚璐
联合策展人：邓岩
西安欧亚学院
西安欧亚学院
艾德艺术设计学院（EAaD）是西安欧亚学院下设的艺术设计学院。学院立足艺术设计领域，将创新、策略性解决问题的过程应用于媒体和信息传达、产品与体验、系统与服务、建筑与环境等范畴，培养实验创新能力和专业技术能力兼备的设计人才。艾德与国内外的学术界和行业有着广泛深入的交流合作，使得艾德艺术设计学院成为一所根植于本地的国际化设计学院。
Xi'an Eurasia University
EAaD is a college of art and design affiliated to Xi 'an EurasiaUniversity. based on the field of art and design, the school applies the process of innovation and strategic problem solving to the fields of media and information communication, products and experience, systems and services, architecture and environment, and cultivates design talents with both experimental innovation ability and professional technical ability. Eide has extensive and in-depth communication and cooperation with academia and industry at home and abroad, making EIDE a locally rooted international design school.
张省会 Zhang Shenghui
西安欧亚学院艾德艺术设计学院副教授、数字媒体艺术专业（影像）方向与数字影像工作室负责人。陕西高校摄影学会副秘书、丝绸之路国际艺术节影像部导演。
《一年》
当疫情开始与日常生活在碎片化影像中编织出集体记忆，一种“剪不断、理还乱”的情感缠绕左右，茫然、恐慌、焦虑、愤怒、抗拒、失语、冷漠……病毒的镰刀一次次斩断人们的信任纽带，将个体从人群中剥离出来，“原子化”成为了个体的常态存在。现代生活从鲜活的交往变成抽象的数字，掩盖在海量破碎信息中，计算着难以言说的伤痛。在不得不戴口罩、做核酸、居家等行为中，人们浑然不知地度过了数个寒往暑来，瘟疫正在一步一步吞噬以往的生活，改变着我们的历史。
《One year》
When the epidemic began to weave a collective memory in the fragmented images of daily life, a kind of emotional tangle of "constant cutting and confusion" was left and right, including loss, panic, anxiety, anger, resistance, aphasia and apathy... The sickle of the virus cuts people's bond of trust again and again, separating individuals from the crowd, and "atomization" has become the normal existence of individuals. Modern life has changed from a vivid connection to an abstract number, hiding in a mass of broken information, calculating unspeakable pain. When people had to wear masks, do nucleic acid, stay at home and so on, they went through several cold days and summers without knowing it. The plague is eating away at our past lives step by step, changing our history.
图为《一年》视频作品截图
谢钦 Xie Qin
毕业于西安美术学院摄影专业MFA。现为西安欧亚学院教师、副教授。作品曾受邀参加平遥国际摄影节；丽水国际摄影节；西安当代影像展等。写作、艺术评论发表于《澎湃新闻》、《中国摄影》、《电影文学》等。
《粉墨ll》
这是一组日常生活中的琐碎观察，在影像超载的时代，摄影如何以更加个体、独立的视角进行表达，这一媒介是否还有可延展性，或者它最本体的媒介语言便有着无可取代的创作动力，在现实背后还能看到什么，在图片之外还能给予什么？人与物的粉墨登场，是鲍德里亚说的主客体互换，是永不停歇的表演，是真假难辨，是灰色地带，或许这就是我们的时代和舞台。
《make oneself up and go on the stage ll》
This is a set of daily life trivial observation, in the era of image overload, photography, how to do more to express the perspective of individual, independent, whether the medium and ductibility, or it's ontology media language has irreplaceable creative power, can also see what behind reality, what else to give outside the picture? The appearance of human beings and objects is the exchange of subject and object described by Baudrillard, a never-ending performance, a difficult distinction between true and false, and a gray zone. Perhaps this is our era and stage.
刘宁珊曹娟
Liu Ningshan Cao Juan
《茧》
在今天，社交焦虑似乎已成为当代人的一种常态。它是在社会问题和个体意识的交错撞击中所发生的一种主体性危机。不同的人在面对社交所拥有的心态与看法也是不尽相同的，从而衍生出一个新的词汇——社交焦虑，社交焦虑是指对某一种或多种人际处境有强烈的忧虑紧张不安或恐惧的情绪反应和回避行为。在世界上每个人都存在差异，其中存在一群对社交能力偏弱的人们，我们称他们为社交恐惧症者。我们依据我们的原型对其进行设计，讲述一个无性别的主人公在有形的保护罩下对自我行为的约束挣扎和自我沉思。
《Cocoon》
Today, social anxiety seems to be the norm for the modern generation. It is a kind of subjective crisis in the collision of social problems and individual consciousness. Different people have different attitudes and opinions in the face of social interaction, which gives rise to a new term -- social anxiety. Social anxiety refers to the emotional reaction and avoidance behavior of strong anxiety, nervousness or fear about one or more interpersonal situations. In the world, everyone is different, and there is a group of people who have poor social skills. We call them social phobias. We designed it based on our archetype, telling the story of a genderless protagonist who struggles with the constraints of his own behavior and self-contemplation under a physical protective cover.
郁路遥 Yu Luyao
《出声了》
关注当下年轻人群体，以亚文化青年为主。通过对青年群体的调研、探索对自我的认知、对于身份、自我与当下文化语境的碰撞与结合，将自我作为素材和方法，不断推演生成影像作品，用静帧图片与综合材料并置的手段，达成作品的表意目的。由此抛出我是如何被建构的问题，以影像的方式呈现自我的再塑造。
《Make a noise》
Focus on the current group of young people, mainly subcultural youth. Through the investigation of the youth group, the exploration of self-cognition, the collision and combination of identity, self and the current cultural context, the self is used as the material and method, and the image works are constantly deduced and generated. The ideographic purpose of the works is achieved by juxtaposing static pictures and comprehensive materials. This raises the question of how I am constructed and presents the re-shaping of myself in the form of images.
陈子恺 刘姜伟
Chen Zikai Liu Jiangwei
《若存若亡》
随着时代发展，以及当下快节奏的生活，过往的时光及物品存留在人们的记忆之中，有时记在心里，有时忘记。这组作品通过静态影像的方式，记录00后这个年龄段一些过往的时光以及物品。让观看者能够唤醒曾经某个时间段的美好记忆，可能关于某一年，关于某个人，关于某些事，虽然在记忆中已经模糊，但在脑海中，还是会闪现美好的画面，留下的总是美好的，怀念的，也是美好的。
《To Be or Not To Be》
With the development of The Times and the fast pace of life at present, the past time and objects remain in people's memory, sometimes remembered in the heart, sometimes forgotten. This group of works records some past time and objects of the post-00s generation by means of static images. Let the viewer can wake up the good memory of a certain period of time, may be about a certain year, about a certain person, about some things, although in the memory has been fuzzy, but in the mind, or flash a good picture, leaving always good, miss, is also good.
